甜蜜的生活「La Dolce Vita」— 丁力澳門個展 Ding Li's Solo Exhibition
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Humarish Club 與「沒頂畫廊」攜手呈獻
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| 「甜蜜的生活」 —— 是丁力在澳門的首次個展，展出了他為本次展覽專門創作的繪畫作品。 展覽標題充滿丁力對藝術和生活一貫的溫情、幽默的態度，向這個世界和世人致以敬意，同時報以善意的玩笑。 |
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| 關於丁力 —— 丁力的抽象繪畫作品所描繪的對象均來自於日常生活中隨處可見的普通人和風景，但卻透露出一種豐富的情緒性和詩意的語言，這種情緒和詩意來自於藝術家本人對環伺我們四周的圖像和媒體的重新配置。 我們不應該忽略丁力攝影教師的身分。丁力的繪畫作品正是棲息於商業攝影的美學空間，往往形式簡潔，主體突出，對主題、物件傾向於採取成熟的風格化的處理方式。 在他的作品中，單人或多人的半身肖像，以及近年來的風景都是經常出現的主題。 故此，丁力的創作處在繪畫和圖像製作之間，並且必須面對這種持續不斷的張力所產生的後續影響。他提醒我們注意到圖像的構造性質，同時也為意想不到的結果留下了可能性。 |
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Humarish Club Jointly with MadeIn Gallery
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| 「La Dolce Vita」 —— Ding Li's first solo exhibition in Macau, featuring the artist’s specifically created new paintings. The title of the show utterly projects Ding Li's consistent warm and humorous attitude towards art and life, paying homage to the world and its people, while good-naturedly jollying. |
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| About Ding Li —— The objects depicted in Ding Li's abstract paintings originate from ordinary people and landscapes, yet they render a rich emotionality and poetic texture, an outcome of the artist's reconfiguration of the images and media that surround us. We should not overlook Ding Li's identity as a professor of photography. It is in the aesthetic space of commercial photography that Ding Li's paintings inhabit, often with concise forms and prominent subjects, taking a mature stylized approach to their subjects and objects. Bust portraits of single or multiple people, as well as landscapes depicted in recent years, dominate the artist's practice as recurring motifs. Therefore, Ding Li's work is situated between painting and image-making and must face the subsequent effects of this constant tension. He reminds us of the constructed nature of the image while leaving open the possibility of unexpected results. His paintings attract the viewer's attention not only because of the pleasure aroused by viewing the bright colors and curved lines, but also because of the uncertain messages and emotions conveyed within. |
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